2020-12-31 05:06

All that’s left.

  1. Williams, p 224.
  2. One may defend such a portrait by saying that it condemns the act implicitly, in the very portrayal. But that’s moralizing, posing a peculiar and weak form of propaganda.
  3. It is no longer a poem.
  4. Mair, p 3.
  5. Whether by choice or by compulsion.
  6. Chan, pp 60, 54.
  7. We know all about “moments” and we think we know a few good tricks on how to capture and extend them. But we don’t stop the car. We drive on.
  8. Cage, p 93.
  9. Longinus, p 301.

(2004-11-27)


poem


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